"I Hope The People Who Wear It Will Be Happy" (Chart)

Wang Tianmo, who was born in Liaoning after 85, made a brilliant performance in this year's central Saint Martin graduation show.

Most of the models are friends of Momo. They have a soap bubble toy gun in their hands, or big balloons on their braids, and wear colorful colorful clothes to jump on the T stage.

For Momo, these are not just clothes, but more like her children.

"Design inspiration mostly comes from the surrounding life and my feelings. Making clothes is actually more like a tool for recording my life. It also makes me more interested in what I am familiar with. I always feel that it is necessary to impress others before I feel touched."

As a member of the newly emerging design force, which has gradually won the attention of the major media, Momo admits that she likes to do handwork slowly, and fashion is more of an empty noun for her. "In the final analysis, I want to be able to make good clothes all the time, and give me friends who like and like my friends."

Like this graduation show, in addition to commemorating the upcoming relocation of Charing Cross Building's printing and dyeing studio, she also hopes that people who wear them can feel like flying like balloons.

Momo is quiet and introspective, which is rare among peers. It often sleeps on the floor and sleeps in the studio. It also takes a free attitude towards the changing fashion. "Because these are second-hand resources, especially when their design is not mature enough, they are easily affected, but they do not know anything about it."

For future planning, Momo hopes to be down-to-earth and natural, "continue the world tour stall plan and insist on doing manual work."

This is a recent plan. "

Persistent Momo is proceeding along her dream channel.

B= reporter

M=Momo Wang

B: where did the earliest fashion impression come from?

M: the earliest impression of fashion is probably when we were young, looking at the books tailored by mother from Japan.

Later, China gradually had clothing magazines. I remember the first magazine I saw was called "how". Later, when China had "Vogue", mother would buy it every time, so I followed it and grew up like this.

B: what is the biggest impact of Saint Martin's schooling experience?

What about London?

M: I think Saint Martin's greatest influence on me may be to let me know that no matter how many whims you have in your head, if you do not learn to export them in your own way, it will be meaningless.

You will only worry that your clothes are not interesting enough, and will not be afraid that the teacher will not be surprised to keep you going.

So I know that even if I leave school, I will develop a habit of recording my feelings.

London has always been a city of its own. This is like a new grandpa who has gone through many things. He smiles to accept everything, but he has his own judgement.

Here is a city where you never have to worry about watching a show, looking at an exhibition, and seeing something new.

As long as you have the energy, it will surely kill you and always be full of new adventures.

B: where did the inspiration for design come from?

Have you encountered any difficulties in the process of creation and production?

M: this year is the last year of central Saint Martin in Charing Cross Building. As a printing major, I am fascinated by dyeing and printing room. So I decided to find inspiration from graduation design, while working in it, inspired by things and friends around me.

I photographed every corner and looked for some materials that could be reused, such as the cloth laid underneath the screen printing, because all year round, almost all the graduates' prints were left unintentionally.

I gathered and disposed of these tablecloths and stitched them all over the clothes like feathers. These feathers meant that all the students who graduated from this old dyeing room flew away like birds.

In addition, I also pay special attention to the combination of printed knitted hand embroidered flowers on my clothes. I draw the elements from traditional African tribal costumes and many folk artists' hands, and then combine them with hand knitting and embroidery.

Many of my inspirations also come from nature and the little things that happen around me. It may be a trip or finding something old.

In fact, most of the time, it is not the exhaustion of inspiration but the fact that there is too much inspiration and how to choose. What is really hard is to focus on the divergence of one point and make it easy to relocate.

When I do not know how to choose, I will often look at the initial source of inspiration, then remove some unnecessary things, and then tell myself what good ideas can be put in the next series, after all, this will not be the last one.

Always think about it at first. It's my favorite method.