2012 Spring And Summer Paris Men'S Wear Week Mugler

2012 spring and summer Paris men's wear week wonderful performance, 2012 spring and summer men's wear Mugler brand as the opening day of Paris fashion week ace.

Designer Nicola Formichetti (Nicola Formichetti) gets inspiration from different works such as Italy movies, Japanese comics, sports, Greek mythology, photographer Herb Ritts, Bruce Webb (Bruce Weber) and other works, so that fashion design is like the research of fashion gene recombination.

Taking the design route of the ordinary road, and these metal armor became the male model necklace, hat, and even the decoration on the back of the hand, almost all the places occupied by these thin metal sheets, and even the Swimsuit Boys on the beach were all wearing metal arms and the necks wrapped around their necks. It was because of the many elements of the designer's award that they blended together, and at the same time they joined the designer's creative ideas. For example, in Greek mythology, we could see that the little men and tattoos were running through them. Besides the exaggerated elements, the suit suit was also the main product of the season, and the design of the suit made of sportswear and drawstring was quite creative. The first appearance was a half naked male model in metal armor.

Followed by the improvement of sportswear, close to the body style, material splicing, release the explosive power of personality in a low key.

In general, practical wear is also very attractive: stone gray tight jeans, Pleated Shorts, T-shirts and swimsuits. Designer Formichetti hopes this show is not practical. Compared with the previous 2 seasons, the designer has more real colors. If there is no exaggeration, his fashion can not be noticed by fashion buyers. The eccentric wear-resistant jacket, or the stitching of different fabrics on the waist, and those pparent latex blouses.

In the second half, the leaping color finally relaxed the tension in the first half of the black-and-white gray coloring. The combination of color blocks showed deconstruction effect. Those fluorescent colors were very fresh. Orange, green, blue and purple were all filled with people's visual nerves. The eye-catching green tone was plated into the blood of the digital age by designers.